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Oil Paintings Come From United Kingdom
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Paul Signac
1863-1935 French Paul Signac Galleries Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples. The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat. Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism. As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.

 

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Paul Signac Study of Sunday oil painting

Painting ID::  36953

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Paul Signac
Study of Sunday
mk115 1889 Oil on canvas 33x33cm
   
   
     

 

 

Paul Signac The fem hold gingham oil painting

Painting ID::  36954

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Paul Signac
The fem hold gingham
mk115 1893 Oil on canvas 82x67cm
   
   
     

 

 

Paul Signac The Fem oil painting

Painting ID::  36955

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Paul Signac
The Fem
mk115 1892 Oil on canvas 194.8x130.7cm
   
   
     

 

 

Paul Signac Study of Harmonious times oil painting

Painting ID::  36956

X 
 

Paul Signac
Study of Harmonious times
mk115 1893 Oil on canvas 58.6x81cm
   
   
     

 

 

Paul Signac Study of Harmonious times oil painting

Painting ID::  36957

X 
 

Paul Signac
Study of Harmonious times
mk115 1894 Oil on canvas 26.5x34cm
   
   
     

 

 

Paul Signac Study of Harmonious times oil painting

Painting ID::  36958

X 
 

Paul Signac
Study of Harmonious times
mk115 1894 Oil on canvas 26.5x34cm
   
   
     

 

 

Paul Signac Study of Harmonious times oil painting

Painting ID::  36959

X 
 

Paul Signac
Study of Harmonious times
mk115 1894 Oil on canvas 15.5x25cm
   
   
     

 

 

Paul Signac Harmonious times oil painting

Painting ID::  36960

X 
 

Paul Signac
Harmonious times
mk115 1893-1895 Oil on canvas 300x400cm
   
   
     

 

 

Paul Signac Harmonious times oil painting

Painting ID::  36961

X 
 

Paul Signac
Harmonious times
mk115 1893-1895 Oil on canvas 300x400cm
   
   
     

 

 

Paul Signac Harmonious times oil painting

Painting ID::  36962

X 
 

Paul Signac
Harmonious times
mk115 1894 Oil on canvas 25x15.5cm
   
   
     

 

 

Paul Signac Study of Harmonious times oil painting

Painting ID::  36963

X 
 

Paul Signac
Study of Harmonious times
mk115 1894 Oil on canvas 25x15.5cm
   
   
     

 

 

Paul Signac Impression oil painting

Painting ID::  36964

X 
 

Paul Signac
Impression
mk115 1902-1903 Oil on canvas 89x116cm
   
   
     

 

 

Paul Signac Abstract oil painting

Painting ID::  36965

X 
 

Paul Signac
Abstract
mk115 1907 Watercolor 13.9x19.9cm
   
   
     

 

 

Paul Signac Marseilles oil painting

Painting ID::  36966

X 
 

Paul Signac
Marseilles
mk115 1906 Oil on canvas 88.9x116.2cm
   
   
     

 

 

Paul Signac Port oil painting

Painting ID::  36967

X 
 

Paul Signac
Port
mk115 23.4x30cm
   
   
     

 

 

Paul Signac Put in oil painting

Painting ID::  36968

X 
 

Paul Signac
Put in
mk115 About 1905 Watercolor 25x40.6cm
   
   
     

 

 

Paul Signac Port oil painting

Painting ID::  36969

X 
 

Paul Signac
Port
mk115 1901-1902 Oil on canvas 131x161.5cm
   
   
     

 

 

Paul Signac Green Sailboat oil painting

Painting ID::  36970

X 
 

Paul Signac
Green Sailboat
mk115 1904 Oil on canvas 65x81cm
   
   
     

 

 

Paul Signac Big canal oil painting

Painting ID::  36971

X 
 

Paul Signac
Big canal
mk115 1905 Oil on canvas 73.5x92cm
   
   
     

 

 

Paul Signac Venice oil painting

Painting ID::  36972

X 
 

Paul Signac
Venice
mk115 1905 Oil on canvas 130x163cm
   
   
     

 

       Prev    1  2  3  4  5  6  7  8  9  10     Next

 

Paul Signac
1863-1935 French Paul Signac Galleries Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism. Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples. The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat. Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism. As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.